![]() The class code requested on the form is the Workshop ID shown at left, beneath the Add to Cart button. We will contact you if a spot becomes available. If a workshop you are interested in is sold out, please fill out this waiting list form. Incluye esquemas, vídeos prácticos enlazados con códigos QR, listados de proveedores. Una guía paso a paso desde el diseño a la estampa. Please call the office at (608) 987-3292. Watercolor pigments and rice paste are mixed with special brushes on each block, then dampened Japanese paper is laid over the block and burnished with a bar. Equipo Más de 200 páginas a color con la participación de David Almazán y la colaboración especial del maestro Hidehiko Gotou. > If you have booked lodging with Shake Rag Alley in conjunction with a class cancelled by Shake Rag Alley, you may receive a full refund on lodging should you wish to cancel the lodging. This woodblock printing technique originated in China and then moved to Japan as a way to spread printed texts and create Japan’s traditional color-washed prints such as The Great Wave off Kanagawa by Hokusai. A decision to cancel a class due to under enrollment will be made on the day following the published registration deadline. This class will introduce the basics of Japanese moku-hanga woodblock printmaking. ![]() > If a class does not meet a minimum number of students, it may be cancelled. > If Shake Rag Alley must cancel a class you will be notified immediately via email or phone and will receive a full refund or transferable gift certificate. > If you have booked lodging with Shake Rag Alley in conjunction with your class, please refer to our lodging page for the lodging cancellation policy. > Cancellation requests must be made by calling our office at (608) 987-3292. We encourage all students to purchase trip insurance. > Cancellations made 30 days or less than the published registration deadline date for any given workshop are not eligible for refunds. The gift certificate can be applied to workshops or lodging one year from the date of cancellation. > Cancellations made 31 days before the published registration deadline date for any given workshop are eligible for a full refund less 25% of the workshop fee OR a gift certificate in the full amount of the workshop fee. While we recognize that life intrudes and plans change, in consideration of the time and energy instructors invest in preparing for classes, we must adhere to the following cancellation policies: These are identified in the class listing and are usually paid with the tuition payment, however in some cases materials fees are paid directly to the instructor at class time (check the class listing). Many classes have materials fees in addition to the tuition. Please read your class confirmation carefully as it may include a supply list and other important details, and note our current COVID-19 protocols on our Planning Your Workshop Experience page. ![]() If you do not have an email address, you will receive a snail-mail confirmation. Kress Foundation, The IFPDA Foundation, The Schwab Charitable Trust, The California Community Foundation, Arts and Business Council of Chicago, as well as individual donors.You will receive a registration confirmation via email. Art in Print is supported by grants from the National Endowment for the Arts, The Dedalus Foundation, The Samuel H. also offers a worldwide calendar of print events resources on the history, making, and collecting of prints and a regularly updated blog, the INKBlog. In addition, each issue includes the most recent winner of the Prix de Print, our bimonthly printmaking competition, as well as timely listings of gallery, museum, print shop, and market news and events. Each issue includes feature articles and reviews of recent books, exhibitions and new editions, written by an international array of scholars, artists, and critics. It produces original content published six times yearly in a printed journal and on its website,. Art in Print is a nonprofit organization founded in 2011 to provide a venue for critical and scholarly writing about artist’s prints, both historical and contemporary, and to provide a central resource for print information, news, and events. ![]()
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